Let me give you some background information on my question. I was hired to run the soundboard at a jazz club in Fullerton, CA a year ago, which I'm still working at. When I was hired, I had a mild appreciation/understanding of jazz music, but had never really gotten around to listening to it the way I had listened to other music I liked. After having worked here for a year, I've realized that there are only so many ways a person can arrange "Take The A Train" and still make it interesting. I know that improvisation is one of the major draws of jazz, but improvisation for improvisation's sake is silly, especially when I can't tell the difference between 90% of the solos that are played here. I hear an original song once or twice a month, but when I do it sounds like every other straight-ahead jazz song I've heard. I can understand why Jazz was cool during it's formative years. Compared to everything else people were listening to, it was out of this world and offensive to their ears. However, now that Jazz has been around for 80+ years, I want to know where the artists are. It seems that all of these world class musicians are too busy rearranging tunes from the 40's to write new music. I mean, after all, when John Coltrane, Herbie Hancock, Fats Waller, and all of those other jazz greats were in their prime, they were writing new songs. Isn't that what music is really all about at the end of the day? Creating things no one has heard before? I think the reason American's generally don't like jazz isn't because they "just don't get it" but rather because they're not interested in hearing the same songs. They want new things; they want borders to be stretched and barriers to be broken. It doesn't seem like jazz has done that.
So now, to my real question:
How can anyone who likes music as an exploration of new sounds and genres still get a kick out of jazz?